[elfinity]

Hi!

I haven't posted here in a while, I know 
However, I posted the following tutorial on another forum, and quite a number of people has requested that I cross-post it on other boards. So here it is. I'm not sure this is the correct place for it, so if it isn't, I apologize.

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Ok, so there has been an interest shown in learning how to shed all sense of embarrassment and social awkwardness while taking photos of your dolls in public.

In this tutorial I will attempt to give real-life tips for people of varying social timidity on how to overcome said timidity and concentrate on what's important - the doll photography, of course! All tips are completely honestly serious, even if the tone of this ahem, essay, is on the light side.


The Preparation:

Great military and other kinds of thinkers have always stated - preparation is 50-90% of the victory (actual percentages may vary). What it means for you is this: you need to prepare yourself, mentally and physically, before you even grab the camera and head outside.

Mental Preparation:

You need to be aware that there WILL be annoying people giving you looks. There WILL be a jerk who will come up and try to lift your doll's skirt or a kid with no personal space boundaries instilled. Imagine it all. Done? Good. Now get over it. Because they don't matter. You are not taking pictures to impress these random people (and if you are, you've got deeper issues than I'm prepared to work with ^_^ ). You ONLY care about us, your forum buddies, and you want to impress us with awesome photos. Got that? Reality is what you make of it, so impress upon yourself that the random passerby are just that and don't really exist for our intents and purposes. The only exception is when they are in the way, but we'll deal with it later.

Physical preparation:

If you are physically prepared, you will feel less nervous and more confident, which will help you get over your shyness.
Therefore, pack well - bring a comb for you doll's hair which WILL be blowing in the wind or getting mussed up in transport. Make sure the bag you have your doll(s) in is comfortable and is easily accessible, in case you find the need to shove the dolls in really quick. Choose the clothes for the doll wisely - minimum of accessories is recommended, so there is minimum of setup fuss.
Trust me, the less time and effort you spend on setting up outside shots, the less nervous you will feel, at least in the beginning. Of course, if you are an experienced photographer, you'll shoot anywhere with any amount of props, but for starters, follow the above advice.


The Underlying Rule:

This rule is actually a good one to remember in pretty much any life situation:
Act as if you are SUPPOSED to be there and are SUPPOSED to do whatever you're doing, and no one will question you.
In our case, when out shooting dolls in the middle of a crowded beach, you need to concentrate on taking pictures and positioning the dolls and act like OF COURSE you are doing that, and the question is, why isn't everyone else? So, no furtive sticking the doll out in your hand, snapping the shot before you got a chance to focus, and shoving the doll out of sight. Act like you have a right to set up, point the camera and shoot ('cause guess what? You DO! Except if it's inside stores, but we'll get back to that later).
Practice The Look Of Utter Concentration at home. Don't confuse it with The Look Of Utter Constipation, because, seriously, some people seem to have trouble distinguishing between the two.


On Location:

Ok, I think the following tips should work in any culture, but I can't guarantee it. Therefore, I'll say that these tips are tested out on US soil, but should work with other Western cultures, too and possibly Eastern, as well. For Eastern European countries, I'd increase the severity of expression and to try to look official, if my memory serves me well.

The thing to remember is that most people are NOT observant, and they DON'T care about you. You're not that important in their world. So, even if they happen to look at you, they won't remember you the next day, if you're lucky, and if you're not, they won't remember you in 5 minutes.


Choose your location wisely. If you are likely to freak out in crowds even without a doll involved, then possibly Broadway is not for you, at least, not right away.
Parks, college campuses (especially during breaks), empty playgrounds, and beaches in the off-season are all great places to start. There might be an occasional passerby, but - what did I teach you? - that's RIGHT! They don't exist! So ignore them, act like you are doing a very important project, and they'll go away.
If they try to engage, be polite but brief, don't go into long explanations, and if they ask to handle the doll, just say you'd rather not put them at the risk of being responsible for damaging a $400 doll. You may have bought her for $45 nude, but they don't have to know that, and I'm sure she's worth that much to you. Don't say $500, because people tend to view roundish numbers as an exaggeration.
Also, don't say it in any other way because the phrasing I use makes it look like I'm looking out for them, and while I'm not saying they WILL break the doll, it's a whopping big sum of money. If they question the price, tell them the doll is highly collectible. It is, but not to the extent they will think it is. So you're not really lying, if anyone is concerned. Practice saying this phrase, so it rolls off the tongue smoothly. It also makes you sound experienced and professional. If you want to, you can wince politely while you are saying that, as it will give the impression that it already happened before, and it was a big mess.

Next step - populated places. Same rule applies - concentrate on your task and worry about flyaway hair, not dog-walkers and commuters. React ONLY if you get heckled or approached. Girls should already know The Look You Give When You Get Cat-Called, but boys can practice it, too - look slightly annoyed, but in a distracted way, like they're not REALLY worth the bother. No direct eye contact when you get heckled. If someone tries to talk to you (provided you don't want to be approached), be polite, but act like you REALLY are running behind your schedule, but are too well-mannered to point it out to the dumbass.

The trick is to make yourself believe that what you're doing IS important, and really, it's all matter of perspective. Remind yourself that the majority of the passerby consider the pinnacle of their day the point when they go home and watch TV or something. I mean, it's not like they have one on us, like they are REALLY doing something worthwhile while we're just putzing around. However, DON'T - and I repeat, DON'T - start feeling superior. People pick up on that subconsciously and get resentful, so they might bug you longer.
Seriously, though, usually people leave you alone and the majority of the looks you think they are giving you are just in your mind.


Now to the pinnacle of public shooting (but not shooting the public, that's illegal). I've shot in Manhattan in the middle of touristy crowds and on the subway, and I can tell you, I'd rather deal with hobos on the subway, 'cause tourists seem to have NO boundaries, and they seem to think everything that's happening around them is done solely for their own personal entertainment. Therefore, if you find yourself shooting in the touristy areas, keep a focused look on your face, minimum emotions. The only emotion you can allow yourself is a polite annoyance - like, if anyone tries to talk to you or blocks your view, you need to look tired and ever-so-slightly annoyed, but like you're REALLY trying not to let it show (I have a suspicion that I'll get requests on having someone photograph me when I'm out shooting a story after this tutorial). Not everyone will react, but it will deter some.
Also, don't use the line about risk of damaging a $400 doll on tourists. For some reason, it only makes them want to handle the doll more. Therefore, instead, meet any request to touch your doll with a simple, "No." Let them think you're a jerk, what do we care? They're not part of Momoko/Pullip/Blythe/etc. crowd, and if they want, just point them in the direction of Sekiguchi/Jun Planning/Takara/what-have-you.

Then, of course, there's the free-styling shooting in Ren Festivals, Faires, Music Fests, etc. In other words, The Weird Places. Here, the chances are that everyone will be either completely oblivious to you, or just be very supportive that you can relax and shoot to your little heart's delight. People will probably think you're the bee's knees and ant's pants.

Miscelaneous:

When someone just goes in and picks up your doll or grabs for her or any other such craziness, tell them, "Excuse me, but do I go through your wallet/pocketbook/bag/pockets?" That usually puzzles them until you remind them that the doll is your property just as their wallet is theirs.

If you somehow need to shoot inside a store (though I don't recommend it), ALWAYS ask the clerk or someone for permission, even if there is no sign forbidding photography. Usually, people are caught off guard when you approach them with your request and are very likely to say "yes," and once they have agreed, they can't decide to shoo you.
Personal experience + psychology = good results.
If you think asking them will attract undue attention, come ON. A person taking shots of a doll inside a store can't be un-noticed, so it's better if the clerk/owner feels respected. They might let you crawl into spaces that they wouldn't otherwise.
Obviously, if you're shooting in Target, Walmart (now, why would you want to go there in the first place?), or Big Lots, or whatever, that technique won't work, 'cause they are corporations and got their weird little rules and regulations. So, if you MUST, shoot quickly and leave the scene.

Lastly, I mean it about minimum of accessories. I almost lost Jack's hat that way one time.

I hope you have found some useful tips on public doll photography, but feel free to ask questions!

[Mayonaka]

Wow. This sure will help with any doll you have! (If we had a general doll sub-forum, I'd probably move it there.)

[STICKI'D!]

[Yun]

I read it this morning, but had to run before I could reply! I wanted to suggest the sticky too, this guide is just awesome!

I had a good laugh at some points, because they're so true!

[DeadlyNova]

Wow! This is awesome. Shame that I have no need for it. XD I'm not embarrassed photographing dolls in public. XD I actually enjoy the looks people give me. ^w^ It's funny. XD

[Gela-chan]

Well, the first reply that springs to my mind is:
DON'T PHOTOGRAPH YOUR DOLLS NAKED IN PUBLIC!!!!!! 

Then:
DON'T GIVE YOUR DOLLS OBSCENE POSES IN PUBLIC!!!!!! 

Finally:
KEEP IN MIND THAT YOU'RE JUST PHOTOGRAPHING DOLLS, NOT KILLING ANYONE. 

That sums it all up, doesn't it? 

[anniemilktea]

Wow this actually really helps (:

[faekyri]

I wouldn't dare take mine out in case they got hurt!

I only take them occasionally one at a time (or maybe two so they don't get lonely) to my parents and then they hardly come out of the bag!

[davidd]

Good essay with good tips. I appreciate the humor, because without a sense of humor there's no way you can photograph your dolls in public. Well, I can't, anyway.

It's harder to get away with if you're a guy, by the way. Quite a few people really do look at you -- it's not just my imagination -- like you're some kind of freakazoid child molester or something. It partly depends on the venue. In more "outdoorsy" places, like national parks and hiking areas, I've had a lot more positive responses from the generally younger, more educated, and child-less people and couples. In fact, it's not uncommon for other GUYS to approach me... and ask about PHOTOGRAPHY!  Other "serious photographers" immediately understand what you're doing, are almost always both curious and polite, and they understand the challenge of working with small close-up subjects in outdoor situations. Negative glares seem to come from people with kids, or middle-aged types. Older people just think you're crazy and keep walking. In my experience, many kids are curious and WANT to talk to you, but are too shy and will stay away... or their parents yank them bodily away from the creepy weirdo. ;-)

My understanding is that doll and toy photography by guys is much more common in Asia.

You can always start with small dolls and work your way up as your confidence increases. I usually work with Pinky Street dolls -- they're a convenient pocket size for traveling, too, which is another advantage of small dolls. My three little "travel girl Pinkys" hiked across the Grand Canyon with me; I don't know that I'd want to try that with a Pullip. They're quick to grab and stuff in a pocket in busy places where getting trampled is an issue. Y'know that big tomato fight held in Spain every summer? My Pinky Girls have been there! That was hectic -- not something I'd want to try with a fussy, difficult to balance larger doll.

Speaking of "balancing," working close to the ground is a good idea. This might mean laying down on the ground or crouching down a lot. Doll photography can be serious exercise! And you might also look really goofy sprawled out in the grass or on the sidewalk with your camera. But dollies fall down... a LOT. A friend cracked the face of her first (and expensive) BJD the first time she took him to an outdoor "dolly meet-up when he pitched off a porch railing onto the ground during a photo shoot. I was lucky to retrieve one of my Pinky girls when she fell off a second floor balcony railing; her pieces scattered on the bricks below, but fortunately I found everything. Those "sitting on the railing" (or edge, or ledge) shots are tempting, but your doll will fall from the railing eventually. Try to keep the dolls near a flat surface, and give the impression of "panoramic vistas" by using an even lower camera angle -- which often means: crawling around on the ground!

One thing the essay didn't touch on is "the excuse." A good general-purpose explanation, easy to toss out to the casually curious whom you hear mumbling over your shoulder, is "art project." That usually gets an "oh, yeah, I see" and they smile and leave you alone.

An additional suggestion I'd offer: practice working fast!. There are two elements to this:

1. Limit the number of dolls. One is easiest to work with, two is manageable. I usually work with three Pinky:st dolls. I've tried carrying four, but even with tiny Pinky Street dolls, the set-up time starts becoming a hassle with more than three figures. Also, there's a "depth of field" (how much of the photo is in sharp focus) issue when working up close with small subjects, and the more figures you have, the more difficult it is to arrange them so they're all in focus. And if one falls down, you often have the "domino effect." As I mentioned, I carry three figures, but usually set them up as pairs or singles for most shots.

2. Shoot LOTS of pictures. Most of us are shooting digital these days. Each exposure costs essentially nothing. Start with an empty memory card. Get your doll (or dolls) posed, frame your shot, and crank off a LOT of shots quickly. Vary your angle, focal length (zoom), and aperture (exposure or f/stop) as you shoot. Don't "check your shots" at the time. Just crank off a bunch. Do a quick reset of the dolls to another position and shoot another bunch of shots. Between the wind, the changing light and shadows, passing people, camera movement, and all the other potential outdoor variables, each shot is going to look different. You can't realistically "check" them on your tiny camera viewfinder. Wait until you get home on the computer to go through your several hundred shots, delete the blurry ones, and then you can crop and tweak the better ones to get the image you want.